Julianne moore bisexual
Julianne Mooreremembers asking director Lisa Cholodenkothat question when they first met at a "Women in Film" luncheon. “It was a very 'actorly' thing to say,” she laughed. The part in question went to Ally Sheedy, but Cholodenko ended up creating the role of Jules in The Kids Are All Rightspecifically for Moore, who has been attached to the project for five years.
Moore is an star in the GLBT people for a lot of reasons. She’s played lgbtq+ or bisexual characters in The Private Lives of Pippa Lee, The Hours, Boogie Nightsand this year’s Chloe, and also played the unsuspecting wife of a closeted Dennis Quaid in Todd Haynes’gorgeous Far from Heaven. She’s devoted to women’s reproductive rights and speaks out against policies like Don’t Request Don’t Tell and Prop 8. Playing Annette Bening’scommitted partner was a joy.
“You know, I just loved (Jules). I love how she’s someone who’s so present emotionally and so good at connecting with people and communicating but is incredibly lost. Her oldest child’s leaving for co
Of Course Julianne Moore Is Having a Royal Woman loving woman Affair in “Mary & George”
From Killing Eve journalist D.C. Moore comes a new “x-rated period drama” starring Julianne Moore. It seems the queerness of this show will generally revolve around Mary trying to weasel her son George into the king’s favor by way of his bed, but the trailer and some reviews confirm that there will be orgies and sapphic affairs and plenty for all of us to sink our teeth into. I personally here for well-dressed women behaving badly.
It seems like it won’t be a sweeping romance like Portrait of a Lady on Fire, but more of a modern-ish take on ye olden times, more along the lines of Bridgerton, or even Reign before it. Gone are the days when the 17th century is portrayed as prim and proper, we’re getting into the down and dirty details, and speculating wildly while we’re at it. I, for one, am here for it. There’s something about a woman who has 7 layers of petticoats you have to procure through, ya know?
Also, the lady Julianne Moore is smooching on in the trailer is a brothel keeper played by Niamh Algar, which makes this Instagram caption very amusing to
The Hours’s Queer Chronologies
When I was 14, I regularly sifted through Netflix’s “Gay/Lesbian” section for illuminating lgbtq+ cinema. Predictably, this wasn’t usually a successful endeavor, but I was competent to find a limited films that helped shape my taste and my understanding of queerness—I Killed My Mother, Far From Heaven, Andrew Haigh’s Weekend. The film with the most pressing, immediate sentimental impact on me, though, was Stephen Daldry’s The Hours, the 2001 adaptation of Michael Cunningham’s Pulitzer Prize–winning novel led by Meryl Streep, Julianne Moore, and Oscar-winning Nicole Kidman. I’m not sure The Hours was the quote-unquote “best” film I saw at this point in my life, but it burrowed into my psyche and hasn’t emerged in the intervening years.
The Hours is a time-jumping riff on Virginia Woolf’s modernist masterpiece, Mrs. Dalloway. Enjoy Woolf’s novel, the movie depicts the psychological torrents a person can commute over the course of a single, seemingly average day. The Hours’ own formal gambit is that it follows the tiny, momentous days of three women at different points in time, separated by years yet inextricably linked: Virginia Woolf in 1923, ho